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FITV11-130: Screen Style and Storytelling May 2020 [Standard]

General information

In this subject, students explore the various creative approaches to screen media through the screening and analysis of Hollywood, independent, international and alternative film, screen and digital content. Students examine the broad range of screen aesthetics by investigating the characteristics of screen storytelling, style, and major genres, and how these characteristics are shaped by social, industrial and technological changes.



Academic unit:Faculty of Society & Design
Subject code:FITV11-130
Subject title:Screen Style and Storytelling
Subject level:Undergraduate
Semester/Year:May 2020
Credit points:10

Delivery & attendance

Delivery mode:


Workload items:
  • Lecture: x12 (Total hours: 24) - Weekly Lecture
  • Tutorial: x12 (Total hours: 12) - Weekly Tutorial
  • AV Screening: x12 (Total hours: 36) - AV Screening
  • Personal Study Hours: x12 (Total hours: 48) - Recommended Study Hours


Prescribed resources:
  • David Bordwell & Kristin Thompson (2019). Film Art: An Introduction. 12th, New York: McGraw-Hill
After enrolment, students can check the Books and Tools area in iLearn for the full Resource List.
[email protected] & Email:[email protected] is the online learning environment at Bond University and is used to provide access to subject materials, lecture recordings and detailed subject information regarding the subject curriculum, assessment and timing. Both iLearn and the Student Email facility are used to provide important subject notifications. Additionally, official correspondence from the University will be forwarded to students’ Bond email account and must be monitored by the student.

To access these services, log on to the Student Portal from the Bond University website as

Enrolment requirements

Requisites: ?


Restrictions: ?


Assurance of learning

Assurance of Learning means that universities take responsibility for creating, monitoring and updating curriculum, teaching and assessment so that students graduate with the knowledge, skills and attributes they need for employability and/or further study.

At Bond University, we carefully develop subject and program outcomes to ensure that student learning in each subject contributes to the whole student experience. Students are encouraged to carefully read and consider subject and program outcomes as combined elements.

Program Learning Outcomes (PLOs)

Program Learning Outcomes provide a broad and measurable set of standards that incorporate a range of knowledge and skills that will be achieved on completion of the program. If you are undertaking this subject as part of a degree program, you should refer to the relevant degree program outcomes and graduate attributes as they relate to this subject.

Find your program

Subject Learning Outcomes (SLOs)

On successful completion of this subject the learner will be able to:
  1. Identify and describe screen aesthetics and storytelling across various formats.
  2. Define and apply key concepts and terms as they function within screen aesthetics.
  3. Critically examine the aesthetics of screen content.
  4. Curate a collection of critical analyses of screen content.
  5. Develop a screen studies research plan.
  6. Present a screen studies research project in written form.


Assessment details

TypeTask%Timing*Outcomes assessed
*Online Quiz Open-book quizzes (weeks 4, 8, 12) 30% Progressive 1, 2.
Research Paper Research Project Part A. 15% Week 7 3, 5.
Research Paper Research Project Part B. 15% Week 10 3, 6.
Journal Film Dossier 200-250 word critical analyses of 10 Screenings, with a contextual introduction. 40% Week 13 1, 3, 4.
  • * Assessment timing is indicative of the week that the assessment is due or begins (where conducted over multiple weeks), and is based on the standard University academic calendar
  • C = Students must reach a level of competency to successfully complete this assessment.

Assessment criteria

High Distinction 85-100 Outstanding or exemplary performance in the following areas: interpretative ability; intellectual initiative in response to questions; mastery of the skills required by the subject, general levels of knowledge and analytic ability or clear thinking.
Distinction 75-84 Usually awarded to students whose performance goes well beyond the minimum requirements set for tasks required in assessment, and who perform well in most of the above areas.
Credit 65-74 Usually awarded to students whose performance is considered to go beyond the minimum requirements for work set for assessment. Assessable work is typically characterised by a strong performance in some of the capacities listed above.
Pass 50-64 Usually awarded to students whose performance meets the requirements set for work provided for assessment.
Fail 0-49 Usually awarded to students whose performance is not considered to meet the minimum requirements set for particular tasks. The fail grade may be a result of insufficient preparation, of inattention to assignment guidelines or lack of academic ability. A frequent cause of failure is lack of attention to subject or assignment guidelines.

Quality assurance

For the purposes of quality assurance, Bond University conducts an evaluation process to measure and document student assessment as evidence of the extent to which program and subject learning outcomes are achieved. Some examples of student work will be retained for potential research and quality auditing purposes only. Any student work used will be treated confidentially and no student grades will be affected.

Study information

Submission procedures

Students must check the [email protected] subject site for detailed assessment information and submission procedures.

Policy on late submission and extensions

A late penalty will be applied to all overdue assessment tasks unless an extension is granted by the subject coordinator. The standard penalty will be 10% of marks awarded to that assessment per day late with no assessment to be accepted seven days after the due date. Where a student is granted an extension, the penalty of 10% per day late starts from the new due date.

Policy on plagiarism

University’s Academic Integrity Policy defines plagiarism as the act of misrepresenting as one’s own original work: another’s ideas, interpretations, words, or creative works; and/or one’s own previous ideas, interpretations, words, or creative work without acknowledging that it was used previously (i.e., self-plagiarism). The University considers the act of plagiarising to be a breach of the Student Conduct Code and, therefore, subject to the Discipline Regulations which provide for a range of penalties including the reduction of marks or grades, fines and suspension from the University.

Bond University utilises Originality Reporting software to inform academic integrity.

Feedback on assessment

Feedback on assessment will be provided to students within two weeks of the assessment submission due date, as per the Assessment Policy.

Accessibility and Inclusion Support

If you have a disability, illness, injury or health condition that impacts your capacity to complete studies, exams or assessment tasks, it is important you let us know your special requirements, early in the semester. Students will need to make an application for support and submit it with recent, comprehensive documentation at an appointment with a Disability Officer. Students with a disability are encouraged to contact the Disability Office at the earliest possible time, to meet staff and learn about the services available to meet your specific needs. Please note that late notification or failure to disclose your disability can be to your disadvantage as the University cannot guarantee support under such circumstances.

Subject curriculum

This subject investigates a range of questions surrounding the development and evolution of screen aesthetics to identify key characteristics of form, storytelling, style and genre including: * How does artistic form shape meaning? * How do modes of storytelling differ among screen platforms such as traditional film, film franchises, TV series, streaming series and transmedia? * What are the key techniques of staging, cinematography, editing and sound that combine to create the style of an individual work or of a particular director? * How have typical genres changed and adapted to screen platforms and audience expectation?

1, 2, 3, 4, 5, 6.

This is a list of some of the films that will be screened this semester:

• La La Land (Chazelle, 2016)

•The Wizard of Oz (Fleming, 1939)

•Citizen Kane (Welles, 1941)

•Memento (Nolan, 2000)

• Moonrise Kingdom (Anderson, 2012)

•Raging Bull (Scorsese, 1980)

• Lost in Translation (S. Coppola, 2003)

•Breathless (Godard, 1960)

• Eternal Sunshine of the Spotless Mind (Gondry, 2004)

• The Shape of Water (Del Toro, 2017)

• Mulholland Dr. (Lynch, 2001)

• The Thin Blue Line (Morris, 1988)

Approved on: Apr 28, 2020. Edition: 5.1
Last updated: Nov 11, 2020.