In this subject, students explore various issues relating to sexuality and love as depicted in screen media. Students will engage with contemporary and historical films, canonical and emerging theory to consider matters such as gender representation and censorship, and the industrial and aesthetic concerns that influence what we see, and how we see it. Through critical reflection and analysis, students gain an in-depth understanding of how ever-shifting societal values concerning sex and love shape, and are, in turn, shaped by the screen.
|Academic unit:||Faculty of Society & Design|
|Subject title:||Sex, Love and the Movies|
Delivery & attendance
|Prescribed resources:|| |
|[email protected] & Email:||[email protected] is the online learning environment at Bond University and is used to provide access to subject materials, lecture recordings and detailed subject information regarding the subject curriculum, assessment and timing. Both iLearn and the Student Email facility are used to provide important subject notifications. Additionally, official correspondence from the University will be forwarded to students’ Bond email account and must be monitored by the student.|
To access these services, log on to the Student Portal from the Bond University website as www.bond.edu.au
Assurance of learning
Assurance of Learning means that universities take responsibility for creating, monitoring and updating curriculum, teaching and assessment so that students graduate with the knowledge, skills and attributes they need for employability and/or further study.
At Bond University, we carefully develop subject and program outcomes to ensure that student learning in each subject contributes to the whole student experience. Students are encouraged to carefully read and consider subject and program outcomes as combined elements.
Program Learning Outcomes (PLOs)
Program Learning Outcomes provide a broad and measurable set of standards that incorporate a range of knowledge and skills that will be achieved on completion of the program. If you are undertaking this subject as part of a degree program, you should refer to the relevant degree program outcomes and graduate attributes as they relate to this subject.
Subject Learning Outcomes (SLOs)
On successful completion of this subject the learner will be able to:
- Critically examine various cinematic representations of human sexuality and love through analysis and research.
- Define the historical and cultural representations of human sexuality and love in film.
- Identify and describe the process of how sexual ideology operates within film narrative.
- Discuss human sexuality in a respectful, informed and engaging manner.
|Tutorial Portfolio||Portfolio Part A||40%||Week 6||1, 2, 3, 4.|
|Tutorial Portfolio||Portfolio Part B||40%||Week 13||1, 2, 3, 4.|
|Discussion Facilitation||Leading a class discussion on a pre-selected and researched topic by negotiation with the tutor.||20%||To Be Negotiated||1, 2, 3, 4.|
- * Assessment timing is indicative of the week that the assessment is due or begins (where conducted over multiple weeks), and is based on the standard University academic calendar
- C = Students must reach a level of competency to successfully complete this assessment.
|High Distinction||85-100||Outstanding or exemplary performance in the following areas: interpretative ability; intellectual initiative in response to questions; mastery of the skills required by the subject, general levels of knowledge and analytic ability or clear thinking.|
|Distinction||75-84||Usually awarded to students whose performance goes well beyond the minimum requirements set for tasks required in assessment, and who perform well in most of the above areas.|
|Credit||65-74||Usually awarded to students whose performance is considered to go beyond the minimum requirements for work set for assessment. Assessable work is typically characterised by a strong performance in some of the capacities listed above.|
|Pass||50-64||Usually awarded to students whose performance meets the requirements set for work provided for assessment.|
|Fail||0-49||Usually awarded to students whose performance is not considered to meet the minimum requirements set for particular tasks. The fail grade may be a result of insufficient preparation, of inattention to assignment guidelines or lack of academic ability. A frequent cause of failure is lack of attention to subject or assignment guidelines.|
For the purposes of quality assurance, Bond University conducts an evaluation process to measure and document student assessment as evidence of the extent to which program and subject learning outcomes are achieved. Some examples of student work will be retained for potential research and quality auditing purposes only. Any student work used will be treated confidentially and no student grades will be affected.
Students must check the [email protected] subject site for detailed assessment information and submission procedures.
Policy on late submission and extensions
A student who has not established a basis for an extension in compliance with University and Faculty policy either by 1) not applying before the assessment due date or 2) by having an application rejected due to failure to show a justifiable cause for an extension, will receive a penalty on assessment submitted after its due date. The penalty will be 10% of marks awarded to that assessment for every day late, with the first day counted after the required submission time has passed. No assessment will be accepted for consideration seven calendar days after the due date. Where a student has been granted an extension, the late penalty starts from the new due date and time set out in the extension.
Policy on plagiarism
University’s Academic Integrity Policy defines plagiarism as the act of misrepresenting as one’s own original work: another’s ideas, interpretations, words, or creative works; and/or one’s own previous ideas, interpretations, words, or creative work without acknowledging that it was used previously (i.e., self-plagiarism). The University considers the act of plagiarising to be a breach of the Student Conduct Code and, therefore, subject to the Discipline Regulations which provide for a range of penalties including the reduction of marks or grades, fines and suspension from the University.
Feedback on assessment
Feedback on assessment will be provided to students within two weeks of the assessment submission due date, as per the Assessment Policy.
If you have a disability, illness, injury or health condition that impacts your capacity to complete studies, exams or assessment tasks, it is important you let us know your special requirements, early in the semester. Students will need to make an application for support and submit it with recent, comprehensive documentation at an appointment with a Disability Officer. Students with a disability are encouraged to contact the Disability Office at the earliest possible time, to meet staff and learn about the services available to meet your specific needs. Please note that late notification or failure to disclose your disability can be to your disadvantage as the University cannot guarantee support under such circumstances.
Through lectures, tutorial discussions, and screenings, students will consider questions including: * What does the motion picture medium bring to sexual representation that differentiates it from other artforms such as painting, literature, and sculpture? * How do genre expectations shape our ideological values around love, relationships, and gender roles? * How do the complex and shifting dynamics between filmmakers, audiences, governments, censors, and interest groups, mediate the kinds of values reflected on screen? * What impact are current global media trends having on sexual representation?1, 2, 3, 4.
Weekly Screening - Her (Jonze 2013)
Weekly Screening - Rear Window (Hitchcock 1954)
Weekly Screening - Some Like it Hot (Wilder 1959)
Weekly Screening - Basic Instinct (Verhoeven 1992)
Weekly Screening - Booksmart (Wilde 2019)
Weekly Screening - Raw (Ducournau 2016)
Weekly Screening - Fight Club (Fincher 1999)
Weekly Screening - Moonlight (Jenkins 2016)
Weekly Screening - Scenes from a Marriage (Bergman 1974)
Weekly Screening - The Duke of Burgundy (Strickland 2014)
Weekly Screening - Three Billboards Outside Ebbing, Missouri (McDonagh 2017)
Optional Weekly Screening - Love (Noé 2015)